Gifts to partners
A signing, an anniversary of the partnership, an annual meeting. Two marks in one object.
We do not print a logo onto a ready-made object. We study the task, the recipient and the moment of handover — and design a product that keeps speaking after it is given.
The occasion decides everything: the object, the material, the tone of the inscription, the packaging and what the person feels when the box opens.
A signing, an anniversary of the partnership, an annual meeting. Two marks in one object.
Single pieces where precision of meaning and execution matters more than price.
Compact, recognisable, no trouble at customs or in hand luggage.
A series in one design for speakers, winners and participants.
A first-day set worth taking home and showing to someone.
A named object for years of service or a project that stays confidential — instead of a certificate.
Objects for museums, institutions and cultural diplomacy programmes.
What a company represents its country with on a foreign market.
We do not advertise “from three days”. Below is what actually moves the date in both directions.
Changes after the layout is approved affect both cost and deadline — we say so before, not after.
Exact figures per item will appear together with the catalogue. We are not going to invent them before that.
Every order runs inside our own system: a number, a named owner and a time norm at each stage. That is not a promise in copy — it is how the work is built inside.
The object from every side, colours, texts, marking zones, packaging.
A screen lies about colour and texture. A sample does not.
Production starts after your “yes”, not by default.
Composition, quantity, names, colours, completeness — from a list, not by eye.
Stage and planned shipping by link, without calling the manager.
Across Kyrgyzstan and abroad, packed for the handover.
It depends on the product: for some items the run starts in the dozens, for others a single order is no different from a series. We name the exact figure after the brief, once the object and the marking method are clear.
The lead time is made of layout approval, sample production, the run itself, personalisation and delivery. The longest part is usually approval on the client side — that part of the schedule is in your hands.
Yes, and we insist on it. A sample in the material shows what an on-screen layout cannot: how the colour sits, how the logo reads on the texture, how the object feels in the hand.
The occasion, the recipients, a rough quantity and a deadline. A brand book, a vector logo and references speed things up but are not required at the first step.
Yes. Contract terms, payment schedule and closing documents are agreed with the manager at the quotation stage.
Yes, delivery is international. Timing and method depend on the country, the weight of the batch and whether each piece needs separate packaging for the handover.
The first step is deliberately short. Everything else is faster to sort out by voice than through a forty-question form.